Signature Series, Volume 3. The Greatest Showman. Habanera trumpet And Piano. Kiss From A Rose, Trumpet. Listen play pause Your Screen Name: optional. Review Title:. Rate this product's difficulty level:. Location: optional. Example: "Emeryville, CA". Email address: optional. Review Guidelines Explain exactly why you liked or disliked the product. Do you like the artist? Is the transcription accurate? Is it a good teaching tool? Consider writing about your experience and musical tastes.
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We currently don't have any themes associated with this song. Add Themes. Sergio Leone wasn't anxious at first to use Ennio Morricone for his western A Fistful Of Dollars , but the movie's distributor had liked Morricone's work on two prior westerns and insisted that the director at least meet with the composer. And once they did meet, the director realized that he'd known the composer in grade school decades before, and the personal ice was broken.
There were still some creative differences to be ironed out, but once they were the results were extraordinary -- like nothing ever quite heard in a western before, and that was clear fromt the first seconds of the "Overture". Opening on a relentless, repetitive and unresolved acoustic guitar part, a haunting, almost unearthly whistle, courtesy of Alessandro Alessandroni comes in, delivering a lonely, quietly menacing melody that never departs -- percussion comes in, along with a sliding flute part which will be heard throughout the movie , and a muted male chorus that seems to be singing "We can fight" joins in -- as it's used in the movie, all of this music is punctuated and broken up by the cast names, which appear to loud gunshots; cartoon images of a lone rider appear, along with those of men being gunned down.
And then comes the electric guitar, a Fender Stratocaster played loudly by Alessandroni in its middle range, offering a defiant and insistant melody, the individual notes struck forcefully -- this is not a happy, upbeat western guitar tune, like, say, the theme from Bonanza, but a theme filled with menace and lurking violence.
The chorus comes back with muted kettle drums, and then a bridge section is sung wordlessly -- the guitar repeats the central martial theme, elaborating on a few notes near the end as muted strings join the chorus; the strings reappear, unmuted, along with horns. The music fades down to the sound of the whistler, the slide flutes, the snapping percussion, and acoustic guitar, the instruments disappearing slowly; the kettle drums reappear and then disappear, and the strings close the piece on an ominous note.
AllMusic relies heavily on JavaScript. This is a western taken to the extreme, with unremitting violence, gritty realism, tongue in cheek humour and a now legendary and haunting soundtrack by Ennio Morricone.
Cert The Western film continues to be reexamined by scholars, and this collection offers engaging essays on a variety of films and television shows that represent the genre.
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